E.A. Shared Space is pleased to announce Latent Slumber, the first exhibition to open in the project’s new location at 2 Beri Gabriel Salosi I Turn, Tbilisi, Georgia. The exhibition brings together works by Andro Eradze, Teimuraz Eristavi, Lea Vajda, and Peng Zuqiang, curated by Arnold Braho, and will be on view from November 8, 2026, to January 8, 2027.

The exhibition is conceived around a structure that reveals the dispositifs and conditions through which a dream may take shape. A structure of support and control, it is imagined to accommodate, sustain, and display. Dreaming, however, is a terrible will to power: a force capable of producing images, desires, and projections while, at the same time, capturing those who become trapped within them. These images can be anticipated, pre-packaged, and organised by structures that determine their forms and delimit their possibilities. Here, the dream is considered in its dual nature, as an individual experience and a collective projection: not only as a single spontaneous impulse, but also what a community imagines, desires, and builds, and the dispositifs through which these aspirations are produced and governed.

According to Haytham el-Wardany, sleep opens up a psychic theatre in which desires, fears, and memories are staged beyond the order imposed by waking life. Ghosts, lost presences, and suspended ideas intermingle with the spaces and bodies of the world, composing scenarios in which what is absent continues to act. It is within this condition that the title of the exhibition finds its meaning. Latent Slumber describes a state in which images, desires, and possibilities remain active without fully manifesting, suspended between their potential emergence and the structures that condition their form. Latency can be understood as a possibility whose conditions have already been established, whose images have been anticipated, and whose developments have been confined to a predetermined horizon.

The exhibition Latent Slumber brings together works that explore the material and imaginary conditions through which this force manifests itself, while also focusing on the apparatuses that seek to discipline it. The works engage with systems of surveillance, ideological models, and spaces in which desire is directed and circulated. From architectures of contingency to military observation systems and devices for staging and capturing memory, a tension emerges between the works and the techniques that seek to render it legible, predictable, and productive. 

Andro Eradze (b. 1993, Georgia) is an artist and filmmaker based in Tbilisi. Working across photography, installation, video, and experimental cinema, his practice explores the nature of images and their capacity to evoke presence, memory, and spectrality. Eradze constructs narratives on the fringes of human habitation, exploring liminal spaces where different forms of life, perception, and agency coexist. Animism emerges as a method through which objects, landscapes, and living beings acquire unexpected forms of presence.

Selected solo exhibitions and presentations include SpazioA, Pistoia (IT, 2026, 2024, 2022); Palazzo Strozzi, Florence (IT, 2025); Berkeley Art Museum and Pacific Film Archive (BAMPFA), Berkeley (US, 2025); Artissima Special Projects, Turin (IT, 2024); WIELS Project Room, Brussels (BE, 2023); and the New Museum, New York (US, 2021).

Selected group exhibitions include Kunsthaus Glarus, Glarus (CH, 2026); Zachęta – National Gallery of Art, Warsaw (PL, 2026); MoMA PS1, New York (US, 2025); GAMeC, Bergamo (IT, 2024); 9th Biennale Gherdëina, Val Gardena (IT, 2024); the 22nd Biennial Sesc_Videobrasil, São Paulo (BR, 2023); 14th Kaunas Biennial, Kaunas (LT, 2023); the 59th Venice Biennale, Venice (IT, 2022); and Kunsthalle Tbilisi, (GE, 2020).

Teimuraz Eristavi (b. 2000, Tbilisi, Georgia) is a Georgian artist currently studying Fine Arts at Städelschule in Frankfurt am Main, where he lives and works.

His work has been included in group exhibitions at Artbeat Container (2021), Fabrika (2021), CAS Batumi (2022), Space 4710 (2023), and Tbilisi Art Fair (2024-2026). He has held a solo exhibition, Idle Union, at Chaos Concept. His sculpture Scrap Business is on permanent display at STOA169.

Lea Vajda is an artist and educator based in Munich. She works with found material to explore the affective dimensions of cultural narratives and the ways in which systems of classification and control shape subjecthood. Working across printmaking, photography, and installation her work employs strategies of abstraction, fragmentation and recontextualization to transform existing material and discern the ideological structures embedded within contemporary cultural and political frameworks. By engaging in these processes she examines the slippages of disappropriation questioning the authority of images and established narratives.

Her work has been presented at Ekrani i Artit, Shkodër, Albania (2026); la III barnale, Los Angeles/Günsterode (2025); Jahresgaben, Kunstverein München, Munich (2023, 2024, 2025); Deborah Schamoni at Various Others, Munich (2025); Galerie der KünstlerInnen, Munich (2024); WAF Galerie, Vienna (2024); and Schwabinggrad, Munich (2023), among others. She has received multiple awards and fellowships and teaches in the Class of Photography with Armin Linke at the Academy of Fine Arts Munich.

Peng Zuqiang (b.1992, Changsha) works with film, video and installations. He is interested in the stories of media and mediums—from obsolete film formats to downtempo in Mandopop—attending to their affective resonances and dissenting associations.

Recent solo presentations include Rockbund Art Museum (2025) , The Common Guild (2025), Fondazione Sandretto (2023), Kevin Space (2023), Cell Project Space (2022), E-Flux screening room (2022). Group exhibitions and screenings include IFFR, videobrasil, UCCA Beijing, Schirn Kunsthalle Frankfurt, Times Museum, Eye Film Museum, The Physics Room, IDFA, 25FPS, Alchemy Film and Moving Image Festival. He is a recipient of the Present Future prize at Artissima (2022), and the Dialog Award at EMAF (2023, 2024). He was a resident at Rijksakademie van Beeldende Kunsten (2022-2024). He lives and works in Paris.

Arnold Braho (Elbasan, Albania) is an independent curator and writer. His practice investigates strategies of escape, desertion, and sabotage. He is co-founder of the curatorial platform Sa.turn, Provinciale11, and the Accademia Provinciale residency programme. 

Recent exhibitions include All Together: Goodbye Master! at ArtNoble Gallery (2026); Paradiz. Economies of Sand (Vlorë, Albania) Between the Garbage and the Flowers for Ekrani i Artit (Shkodër, Albania); and When Species Don’t Meet at Spazio Volta & Civic Museum of Natural Sciences (Bergamo, Italy). In 2025 curated the II edition of Tirana Art Week. 

He has collaborated with institutions including the Center for Italian Modern Art (New York), the 17th Istanbul Biennial, Villa Arson (Nice), FM Centro per l'Arte Contemporanea (Milan), and MAXXI (Rome). He participated as assistant curator of Marco Scotini's Disobedience Archive, presented at the 60th International Art Exhibition of La Biennale di Venezia.

He is a contributor for Flash Art, Arts of the Working Class, and L'Essenziale Studio.